
One album captivated me more than any other that year though. If Daft Punk mined a euphoric nostalgia for a lost childhood, their compatriot Anthony Gonzalez casts a more wistful, melancholic glance back at juvenile days, to no less dazzling effect. Torch song 'Kim & Jessie' sounds like a joyous tribute to the 80s film soundtrack - insert your own John Hughes reference here - singing of 'kids outside worlds' who are 'crazy 'bout romance and illusion,' but the chorus evokes a much darker scene: 'Somebody lurks in the shadows, somebody whispers.' It's all the gusto of youth, infused with the accompanying bouts of paranoia, self-doubt, and confusion as to one's place in the world.
It is this classic pop juxtaposition, which characterised the 80s of Gonzalez's youth, of lyrical anxiety set to glorious, often upbeat electronic music, that is realised so perfectly on Saturdays = Youth, and which makes it such a success. 'Graveyard Girl' is another fine example, the guitar-led rush of the chorus breaking for a spoken word part, heralded by a ringing schoolbell: 'I'm gonna jump the walls and run. I wonder if they'll miss me? I won't miss them... I'm fifteen years old, and I already feel like it's too late to live. Don't you?'
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