
In the end it was Canadian rapper k-os' third long player, Atlantis: Hymns for Disco, that was the first to be met with unanimous praise. In a genre commercially saturated by hyper-produced superstars, regurgitating the same tired clichés of guns, bitches and bling over Timbaland's ever-thinning beats, what appeals about Atlantis is its organic feel. There are few if any samples, most of the tracks are built around guitar riffs, and the whole thing is blessedly autotune-free. Best of all is that the album rewards repeated listenings, which seems contrary for such an instantly accessible album. For all this, and a man of Kevin Brereton's lyrical flow, skill, verbosity and intelligence, it is a continuing source of puzzlement that he remains relatively unknown outside of his native Canada.
No comments:
Post a Comment